What is Classical Crossover?
Classical Crossover combines traditional classical elements such as operatic vocals, the incorporation of string instruments or full orchestration and applies it to popular music OR the reverse with rhythmic elements, belting or modern techniques used on standard classical repertoire. Many other combinations are possible but the key measure is the blending of both classical and popular styles together to create a new sound. Although it has only recently become a recognized genre in it’s own right, crossover is actually a long tradition.
In the 20th century, performers like Mario Lanza, Deanna Durbin, Jeanette Macdonald, Kathryn Grayson popularized a beautiful trained sound on the big screen. Their films often paired arias with folk songs and popular songs of the era and audiences were immediately receptive.
The strength of the classical crossover genre lies in its freedom for artistic expression. Many performers take a traditional approach to covering beloved standards, while others choose innovative approaches or produce completely original music. There are no repertoire limits since arguably any song can be given a ‘crossover’ treatment. Still, most perform many classical ‘standards’ both vocal (Nessun Dorma, O Mio Babbino Caro, Panis Angelicus) and instrumental (often turning instrumental works into songs with the addition of lyrics).
Most classical crossover performers have some classical music training (Laura Wright & Katherine Jenkins both studied at the Royal Academy of Music) and thus have a trained sound that many listeners associate with opera. However, while the sound may be similar because of the use of amplification the technique can vary vastly. There is a great focus on expression and creating a individualized and often more intimate tone.
Listen to our playlist of ‘Essential Classical Crossover’ on Spotify
Classical crossover was inspired by the great classic music but has since evolved into its own musical form. We hope to help raise awareness about this genre and promote correct categorization of its performers.