Center Stage Theatre Delivers a Heartfelt Little Women

Center Stage Theatre finds a worthy Jo March in Anna Giordano

Center Stage Theatre’s latest production of Little Women brings the beloved celebration of womenhood to life through the charming 2005 Broadway musical. In this staging, Anna Giordano takes on the role of Jo March, the heroine at the heart of Louisa May Alcott’s classic.

The musical itself is ambitious but uneven. Condensing Alcott’s novel into a vehicle for songs and choreography is no small task, even with its nearly three-hour runtime. Some storylines and characters must therefore be left underdeveloped. That said, this production is still a delight thanks to direction by Justin Zenchuk (Director), Katie Ciurleo (Music Director), and Jacob Marcus (Assistant Director/Music Director). The team clearly understood the source material and brought the heart of the piece to life.

Giordano is 'astonishing' as Jo March

Giordano is brilliant as Jo, bringing boldness and vibrant energy to the stage without slipping into caricature. Vocally, she soars, particularly in the act-closing “Astonishing,” which she delivers with thrilling intensity and vocal color.

The rest of the March family is equally well-cast. Casey Lynne Ortiz brings warmth to Marmie, while Joelle Cote’s Beth offers a strikingly pure voice. Quinlyn Kessler captures Amy’s youthful petulance, and Katt Twohill as Meg impresses with dramatic flair and a beautiful tone. 

A charming March family: Casey Lynn Ortiz, Anna Giordano, Katt Twohill, Joelle Cote and Quinlyn Kessler bring a sweet chemistry onstage

Some pacing issues remain from the source material. Meg and John’s romance is the easiest to root for, uncomplicated but not without obstacles. Their tender duet “More than I am” is lovely, and once again, Katt’s voice is a thing of beauty. Amy and Laurie’s relationship, always a point of debate, nevertheless manages to be charming in “The Most Amazing Thing.” The Jo-Professor Bhaer storyline, begrudgingly penned by Alcott in trying to appease her publisher, is not well-developed, but Giordano and Kyle Attanasio create genuine warmth in “Small Umbrella in the Rain.”

Anna Giordano and Kyle Attanasio as Jo March and Professor Bhaer

The story’s post-painful moment is also its most touching. Though Jo is the show’s driving force, Beth is its emotional heartbeat, and Joelle does a wonderful job bringing her to life. The gentle preparation of Jo and ultimate farewell in “Some Things Are Meant to Be,” staged poignantly with a kite, is deeply moving. Ortiz’s stirring “Days of Plenty” is another highlight. 

What the musical does better than the very successful film adaptations is show Jo’s ultimate motivation and fulfillment, underscored brilliantly in the climactic, “The Fire Within Me.” We see Jo not only as ambitious and restless but also as someone who realizes the “astonishing” she has always been seeking is there in the simple, sweet memories with her sisters.  

Ultimately, Little Women at Center Stage Theatre is a nostalgic retreat into a world of family, love, and big dreams. With a strong cast and heartfelt performances, it’s a local production that captures the story’s timeless appeal. Don’t miss the chance to experience a little bit of “astonishing” before the run ends on September 28. Visit: centerstagetheatre.org for tickets.

An imagination so big in “An Operatic Tragedy”
“Our Finest Dreams” from Act 1
“Here Alone” performed by Casey Lynne Ortiz
“Could You?” between Jo (Anna Giordano) and Ant March (Katelyn Botsford Tucker)
“I’d Be Delighted”
“Take a chance on me” with J.R. Resto as Laurie Laurence
“Five Forever”

“More Than I Am”
“The Weekly Volcano Press”
Katt Twohill will delight with her beautiful tone
“Sometimes when you dream – Reprise”

Natasha Barbieri, Editor

Editor

Creator of Classical Crossover Magazine. For Natasha music has always been closely tied to her faith. At age 18, Natasha made her opera debut playing the part of the mother in Menotti’s ‘Amahl and the Night Visitors’ with the Eastern Festival Opera. At 20, she was a winner of the 2011 Young Artist Competition at Andrews University. Natasha graduated in 2012 with a Bachelor’s of Music. Natasha has released a series of Holiday singles “A Place Called Home” (2020), “One Little Boy,” and “The Perfect Year” (2021). In 2021, she was nominated for the ‘Future Classic Women Awards’ show on Men’s & Women’s Radio Station. Natasha is the creator and editor of ‘Classical Crossover Magazine’ a venture that has allowed her to interview many of the top stars in the genre including Sarah Brightman, Celtic Woman, Mirusia, Paul Potts, and more. During the covid-19 pandemic, she created an online concert series for the magazine that has seen her perform in the same line-up as Alex Sharpe, Lucy Kay, Barbara Padilla, Classical Reflection, and more on the virtual stage. In 2022, Natasha was included on the charity album “Stars of Classical Crossover: Christmas” in benefit of the Wallace & Gromit Children’s Charity.

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