Back to the Future

For months No.1 chart-topping soprano Joanna Forest was looking forward to the chance to perform live. Now with “Access All Arias” a success she compares her expectations with the reality of returning to performing. 

I LOVE the Back to the Future Films, just love them. Whether that’s Marty first witnessing time travel with Doc in the Twin Pines Mall, Hoverboards and self-tying laces in a 2015 version of the future, or a wild western duel with Buford Tannen in 1885, its constant zipping through the timelines and tension-filled denouements always sets the heart racing. Plus, it has a top-notch brass-dominated orchestral soundtrack by Alan Silvestri which is just thrilling to listen to.

Now, earlier in March this year, I jumped into my own virtual DeLorean, accelerated up to 88mph, and pushed my flux capacitor to 1.21 gigawatts to thrust me a few months into the future to imagine how my “Access All Arias” London show in June would go. Now in July, with the show complete I’d like to tell you what it was REALLY like. So, let’s remind ourselves of my predictions and then focus on the reality.

 

THE MORNING

Prediction: “Stealthily I sneak into the kitchen, trying not to rouse my snoring hubby”

Reality: “JOANNA!! shhhh!”

Uh-oh. It’s 5.30 am and my husband, James, who has a tendency to snore loudly, slept in our 2nd bedroom to give me a good rest before the big show. I’m extremely grateful for this so after a very early night, I’m bright-eyed and bushy-tailed before dawn rises. Poor Dawn, she’s such an insomniac in the summer months but never complains.

Same can’t be said for James who I hear grunting from behind his door as I clutter round the kitchen making tea, having a steam, and generally disturbing the peace. He bursts into the kitchen rubbing his eyes, bed-hair like a caveman. I anticipate more noises of discontent.

“Morning, iiiiit’s show day!”

Phew. I’m forgiven, and what’s more, he’s even entering into the spirit of showbiz with his dramatic exclamation.

EXERCISE & REHEARSAL

 Prediction: “Normally I listen to a podcast or call a friend when walking Eevee, but today my mind is fixed on my setlist for the concert”

Reality: It’s summer in London, so naturally it’s raining, therefore James can do the walk.

 As James takes a break from his work and heads out into the abyss of a very soggy and very muddy Epping Forest, I rest my legs and instead of rehearsing the show on the walk, I put on a performance for my mirror, hairbrush substituted for Microphone of course.

Rehearsing this show has been different from normal. For the first time, I have changed things up a bit and created an entire underlying narrative for the concert, which I have called “Access All Arias”. Lo and behold, I am even going to try and make people laugh as I take a trip down musical memory lane and tell my story of how I have found myself as a serious classical singer when my background was being a very lively, often stagey, jazz hands loving musical theatre wannabe. It’s a gamble for me to try something like this and not only did I have the songs to learn but also an entire script and prompts!

COVID RESTRICTIONS

Prediction: With England expecting to “return to normal’ on 21st June, this concert is just one week later.

Reality: England didn’t return to normal on 21st June.

 In April and May, just as we were seeing record lows of new infections, we failed to close the borders in time, frustratingly allowing the so-called “Delta” variant, first found in India, into the country. In the space of just a few weeks, infection rates were soaring again so what we hoped would be “Freedom Day” on 21st June, stayed as just another day with the current restrictions still in place.

Thankfully, what this meant though was that indoor entertainment could STILL be performed, albeit, with fewer audience members, stricter deadlines and deep cleans between shows.

The journey into London on the tube with all of my baggage was very different to just a few months earlier. Fewer masks, social distancing not really THAT much distanced but on the plus side, more smiling faces who, even though know that restrictions are in place, can still see the light at the end of the tunnel.

My soundcheck however is relaxed and I was given a full hour to do it in. Most shows I perform in rarely give me the luxury of that long a rehearsal so my confidence levels and nerves are actually doing ok! One of my very best friends, Daniella Bowen, is also my special guest for the night so I’m just overjoyed to see her and enjoy her company doing what we love most.

SHOWTIME

Prediction: The doors have opened to the audience and peeping from backstage I see what feels like a mirage of smiling familiar faces.

Reality: The doors have opened to the audience and peeping from backstage I see what is an entire room full of smiling familiar faces.

 Performing Access All Arias was everything I hoped for, and more. My heart was racing as my intro music for my signature piece, Sposa Son Disprezzatta started, signaling that I should take to the stage but I was greeted with cheers, very loud cheers, and any nerves I did have evolved into sheer giddiness. With the first song complete, the audience erupted again and continued in that fashion throughout the entire show. For many people watching, this was also their first time out, watching something they loved, seeing old friends, enjoying live music once again with plenty of drink to help celebrate.

Thankfully, my props didn’t break and my voice worked after months out, however, the moment which will stick with me most was when paying tribute to fallen Sgt Matt Ratana and remembering anyone who has suffered tragedy in the last year. For a brief moment, I, my pianist Jason, and everyone watching fell silent and took stock of what we’ve all been through. It was a remarkable shared experience and will stick with me forever.

BACK TO THE FUTURE

Jumping back in my Delorean to the present, I wonder what happens next this year. I certainly want to explore taking Access All Arias out on tour, I want to continue writing here and growing my Classical Gas radio show, I have even started thinking about album 3. So many roads to take yet as the last 18 months have shown, we don’t know where they end up and is that a bad thing? For me, I take solace in Doc Brown who says, “Roads? Where we’re going, we don’t need roads”.

Twitter -@joannaforest
Instagram – @joanna forest
Facebook – joannaforestsoprano

Joanna Forest

Columnist

Joanna is an Award Winning, Record Breaking, Best Selling, Official Double Classical Number 1 Soprano. Joanna shot to fame in 2017 when she broke records becoming the first independent artist to go straight to Number 1 in the Official Classical Album Charts with a debut album, "Stars Are Rising". Her 2nd album, "The Rhythm of Life", released in 2019, also shot straight to the top of the classical charts on release. Both albums received critical acclaim across TV, Radio and National Press including Album of the Week in The Sunday Mirror. Joanna entered the world of classical crossover in 2014 following a successful West End and TV career. Her first public performance as a crossover artist was in duet with Britain’s Got Talent megastar, Paul Potts, at The Palace Theatre, London who later also guest duetted with Joanna on "The Rhythm of Life" with a new arrangement of Boccelli's "Because We Believe". Further recordings included a classical Number 1 single with "The Royal Platinum Love Song", released to celebrate 70 years of marriage between The Queen and Prince Philip, a Top 10 classical christmas hit, "That is his Story" and a lead appearance on the Sir Paul McCartney backed “Choirs with Purpose” Stand Together album backed by a 600 strong choir. Jonna recently hit the No.1 spot once more in the classical chart with "By My Side' written to celebrate 60 years of the wonderful work Cruse Bereavement Care Charity. No stranger to high profile performances, Joanna has sung on the pitch at Premier League and Championship Football Grounds, on BBC's Songs of Praise performing "Ave Maria", as lead soloist at the prestigious Bedford Park Proms and York's Castle Howard Proms, theatres up and down the UK and on her own nationwide tour. As a result of Joanna's chart success she was awarded the first ever "Future Classic Women" Award in May 2019.

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