Odyssey Opera Presents TROIKA: The American Premiere of Rachmaninoff’s Trilogy of Operas

Hailed by The New York Times as “one of the nation’s most intriguing opera companies,” Odyssey Opera returns to live performance with TROIKA, a concert performance of the complete operatic output of Sergei Rachmaninoff. Though Rachmaninoff is one of the most beloved Russian composers, no American company has ever showcased Rachmaninoff’s trio of one-act operas—Aleko, The Miserly Knight, and Francesca da Rimini—in a single eveningInspired by timeless tales by Alexander Pushkin and Dante’s Inferno, all three works demonstrate Rachmaninov’s gift for yearning melodies, as well as his mastery of orchestral color and drama. The cast line-up includes two Ukrainian-born singers—soprano Yelena Dyacheck and baritone Aleksey Bogdanov—along with Armenian tenor Yeghishe Manucharyan, American tenors Andrew Bidlack and Spencer Hamlin, Russian bass Mikhail Svetlov, and American bass Kevin Thompson.

“Rachmaninoff’s music is a spectacular way to return to live performance,” says Artistic and General Director Gil Rose. “Though he devoted most of his attention to a career as a piano and orchestral composer, his operatic output was equally impressive. Odyssey Opera hopes to provide long overdue exposure of Rachmaninoff’’s operatic works to American audiences.”

The evening begins with Aleko, the first of three completed operas by Rachmaninoff. The Russian libretto, written by Vladimir Nemirovich-Danchenko, is an adaptation of Alexander Pushkin’s poem The Gypsies. The opera recounts the wrenching love story of the exiled Aleko and the free-spirited Zemfira. Written in 1892 by a 19-year-old Rachmaninoff as a graduation work at the Moscow Conservatory, Aleko won the Conservatory’s gold medal for composition that year.

Completing the trilogy are two operas that Rachmaninoff completed relatively early in his career: The Miserly Knight and Francesca da Rimini. Both premiered in 1906 in Moscow in a double-bill performance, with the composer himself conducting. Based on Pushkin’s tragic drama of the same name, The Miserly Knight is an intense, one-hour psychological study of monetary obsession and alienation featuring five male singers. Mikhail Svetlov takes up the lead role as the Baron, while tenor Spencer Hamlin returns to Odyssey Opera to portray the Baron’s son.

Francesca da Rimini turns the story of Canto V from Dante’s Inferno into a “symphonic opera,” as described by the composer himself. For this Odyssey Opera production, Yeghishe Manucharyan plays the role of the poet Dante who meets two young lovers —Francesca, played by Yelena Dyacheck, and Paolo, played by Andrew Bidlack— who are murdered and consigned to the Second Circle of Hell after a stolen kiss.

 

Sunday, September 25, 2022, at 3:00 p.m.

NEC’s Jordan Hall, 30 Gainsborough Street, Boston | Subway: Green to Symphony, Orange to Mass Ave

 $25 and Up. To purchase, visit odysseyopera.org or call 617.826.1626.

 

About Odyssey Opera
Founded in 2013 by artistic director/conductor Gil Rose, Odyssey Opera presents adventurous and eclectic works that affirm opera as a powerful expression of the human experience. Its world-class artists perform the operatic repertoire from its historic beginnings through lesser-known masterpieces to contemporary new works and commissions in varied formats and venues. Odyssey Opera takes its audience on a journey to places they’ve never been before. odysseyopera.org

Natasha Barbieri, Editor

Editor

Creator of Classical Crossover Magazine. For Natasha music has always been closely tied to her faith. At age 18, Natasha made her opera debut playing the part of the mother in Menotti’s ‘Amahl and the Night Visitors’ with the Eastern Festival Opera. At 20, she was a winner of the 2011 Young Artist Competition at Andrews University. Natasha graduated in 2012 with a Bachelor’s of Music. Natasha has released a series of Holiday singles “A Place Called Home” (2020), “One Little Boy,” and “The Perfect Year” (2021). In 2021, she was nominated for the ‘Future Classic Women Awards’ show on Men’s & Women’s Radio Station. Natasha is the creator and editor of ‘Classical Crossover Magazine’ a venture that has allowed her to interview many of the top stars in the genre including Sarah Brightman, Celtic Woman, Mirusia, Paul Potts, and more. During the covid-19 pandemic, she created an online concert series for the magazine that has seen her perform in the same line-up as Alex Sharpe, Lucy Kay, Barbara Padilla, Classical Reflection, and more on the virtual stage. In 2022, Natasha was included on the charity album “Stars of Classical Crossover: Christmas” in benefit of the Wallace & Gromit Children’s Charity.

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